Nepaali - Tamil ( Audio Review )

With seductive dialogs and a slow, alluring tune, Anaikkindra thaagam works really well, more so due to Bombay Jayashree’s fab vocals. Suthudhey too has a very neat retro sound, but the blatant, silly Tamil version of Aserejé is nauseating. Kanavile has earnest vocals by Sathyan but a largely middling tune. Muzhu neela kadhai has some enticing backgrounds and a catchy tune ably handled by Megha and Sunitha Sarathi. The three theme pieces are reasonably interesting, despite assorted influences. Srikanth Deva is considerably more likeable than his usual brand of run-of-the-mill albums, in Nepaali – barring that sick tune lift, of course!

One Two Three - Hindi ( Audio Review )

Barring Raghav’s groovy attempt at female vocals, everything about the title song is bafflingly loud and messy. Rock mahi is definitely better - at least the catchy hook and Raghav’s noteworthy arrangements. Much like Gup chup, with fantastic vocals by Mahalxmi Iyer - but strangely enough, this one goes perplexedly haywire after a decent start. Sunidhi tries her best in I wanna guy but the musical overdose and utterly corny lyrics undo her efforts. Amalgamation (!) and Lakshmi Narayan are nonsensical hodge-podge! Raghav’s music here is overpowering and excessive; and drowns whatever moderately worthwhile tunes he may have. Aural assault!

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Krazzy 4 - Hindi ( Audio Review )

Break free is groovy and catchy - thanks to Vishal’s spirited singing and Rajesh’s vibrant arrangements. The folk’ish Dekhta hai is adequately coarse with some interesting hooks. The almost-spoken Ik rupiya is annoying - in a soundtrack, while Jan gan man is an austere version of our national anthem. Krazzy 4 is an attempt to convince us that Break free is 2008’s filmy anthem and O re lakkad sounds at best like an outdated, mildly interesting 80s track. Krazzy 4 is at best a one-track trick; with the trick repeated 3 more times to make sure we don’t miss it!

Bharam - Hindi ( Audio Review )

Shaan saves Pritam’s Jaane kaise with his singing - the tune per se is just passable. His other track, Jaane kyun, as credited, works mainly due to the source - Mohiner Ghoraguli’s Ghore pherar gaan - the reworking being strictly functional. Siddharth Suhas’ 4 tracks, on the other hand, are surprisingly decent - Richa Sharma’s Meri akhiyaan, Teri aakhon and Lagdaa naa being the picks. Even I am a bad boy has some engaging orchestration and tune. With just one middling original track, Pritam actually takes a back seat while Siddharth Suhas use the opportunity and impress in Bhram’s soundtrack!

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Expensive Car Chase for Satyam

Sathyam movie starring Vishal and Nayantara in the lead has already completed its first schedule of shooting and is into the second schedule now.

The car chase scene for this film is being shot with a budget of 2 crores is being shot around Maduravayil road. Vishal is being chased by the villans in this scene and the smart police attired Vishal trying to elude them. The scene running to 7 minutes in the film would be shot over 20 days on various locations like Tambaram bypass, Ennore, Ramojirao Film City, Pattinapakkam etc. The car scene is vital for the movie and is shot in the hollywood style. The scene is being shot under the supervision of renowned Hollywood Visual Effects person Craig A Mumma, stunt master Kanal Kannan, and director Rajasekhar.

Vishal plays the role of a police officer who is an encounter specialist. For this role, the diligent actor has done an extensive study on the life and work of police. Popular Kannada star Upendra and Telugu actor Katta Srinivas Rao play villains.